Weaver Story- Artisans of the Northeast India
From the hills and valleys of the Northeast, our weavers carry forward traditions passed down through generations. Each creation reflects skill, patience, and a deep connection to the land. Their hands turn heritage into modern artistry, making every piece a living story of culture and craft.
Yune, Manipur
Six generations of stories, woven by her hands.
Toshila, Nagaland
Learned weaving at 15, preserving five generations of Yimkhiung craft.
From Old Showuba village, Nuiland district, western Nagaland, Toshila began learning weaving at 15 under the guidance of her aunt. As the fifth generation of Yimkhiung artisans in her family, she balances tradition and creativity, transforming cultural motifs into textiles that resonate with contemporary sensibilities. Every stitch she makes reflects patience, precision, and a deep connection to her heritage.
Aienla, Nagaland
From her mother’s guidance to contemporary mastery.
Livisela, Nagaland
Began weaving at 19, blending heritage with modern style.
Hailing from Yimgphire in Kiphire district, eastern-south Nagaland, Livisela started weaving at 19 under her mother’s guidance. As the second generation of Sangtam artisans in her family, she brings youthful perspective and skill to traditional patterns. Her creations capture the essence of Sangtam culture while seamlessly fitting into modern spaces, celebrating heritage with vibrancy, elegance, and soul.
Debojit Das, Mirza
7th generation of weavers in his family, carrying forward a heritage that has endured for centuries.
Debojit Das, fondly known as Chintoo, hails from a quaint village in Mirza, Assam, where he is respected as a weaving master. More than a skilled artisan, he plays a vital role in his community by guiding and encouraging others to generate livelihoods through weaving.
His fascination with the loom began in childhood. He learnt the craft from his mother—herself still an active weaver—who instilled in him both technique and passion. Today, Debojit stands as the 7th generation of weavers in his family, carrying forward a heritage that has endured for centuries.
He weaves in pure Eri silk and cotton, textiles that reflect Assam’s deep cultural roots. Among the motifs he brings to life, the Kingkhap holds special significance. Originating from the Ahom dynasty, the Kingkhap features the face of a lion and was once reserved for royalty. It symbolizes power, courage, and authority, embodying a regal strength that continues to inspire.
For Debojit, every creation is more than cloth—it is a living legacy, where tradition meets innovation, and where the threads of the past are carried into the future with pride and purpose.
Khrolo Naro, Nagaland
Master of bamboo, transforming tradition into art.